The Pizza Project Goes to the Movies...Well, Not Really!

Saucy loves to go to the movies. But he can't afford them anymore. So until someone starts paying us to do this sh*t, he is going to have to improvise. So here's this week's blind movie reviews.

50/50
There are many pros and cons with this one. Pro: Joseph Gordon-Levitt, a rising star and a person who is starting to see the best scripts first, stars in the lead role. Con: Seth Rogen, who has begun to annoy me in pretty much anything he is in, is featured as Gordon-Levitt's supportive buddy. Pro: Anna Kendrick, fresh off of her 2009 Best Supporting Actress turn in Up in the Air, has a role as Gordon-Levitt's doctor. Con: Bryce Dallas Howard, whose films usually don't end up being very good, also shows up. Being that the film is directed by someone I have never heard of (Jonathan Levine), chances are good that it won't really impress. Still, it seems like a decent enough premise, and I am betting that most people will come out of it thinking, "You know, that was a pretty good movie although it would have been better if Jason Segal took the Rogen role."

Ten Quick Thoughts on...Hereafter

1) We got this from Netflix something like two months ago and it has been sitting on the shelf down in the basement for all that time. I know I pretty much need to watch anything by Clint Eastwood at this point (hell, man, the guy could keel over any minute now), but this one wasn't calling out to us. And now I know why. The film was just OK.

2) There's a three-proinged story going on here. You have the story of a French journalist (Francophile actress Cecile De France) who has a near-death experience while vacationing in Indonesia around the time of the epic tsunami. There's a lapsed psychic toiling away at a factory job in San Francisco (Matt Damon). Then you have a young boy (played by both Frankie and George McLaren) from a shattered home who falls into despair when his twin brother is killed in a horrible car accident. The stories progress as threads of a whole that come together in the final act. These sorts of movies rarely work for me because I am always becoming more involved with one aspect of the story over the others and then I keep just wanting them to return to the one I am enjoying. In this case, the one I became engrossed in was the Damon story. The French one I didn't enjoy, probably because the actors were all so...French, and the one with the kid was just really dull.

Time for a Random List: Ten 2011 Movies that Haven't Come Out Yet That Probably Won't Suck

So far this year, I count two movies that actually grabbed my attention and made me want to go see them - Terrence Malick's The Tree of Life and Woody Allen's Midnight in Paris. Otherwise, the stuff that has been coming out of Hollywood has been pretty awful. Then again, I don't get to the movies much anymore. So for all I know, The Smurfs could have been the shizznit. Anyway, here is a list (in chronological order) of ten flicks that will come out between September and the end of December that certainly seem like they have the potential for "decent status."

1) Contagion (Sept. 9)
It is directed by Steven Soderbergh (Traffic, Out of Sight) and stars luminaries Matt Damon, Gwyneth Paltrow, Kate Winslet, Jude Law, and Laurence Fishburne. Soderbergh's recent output has been the definition of uneven (The Informant!) if not WTF (The Girlfriend Experience), but with a cast like this it is hard to believe that the medical outbreak thriller does not satisfy.

2) The Ides of March (Oct. 7)
This film about an idealistic political newbie who gets involved in a perspective-shattering Presidential election has another virtual sh*tload of great actors in it (Ryan Gosling, George Clooney, Paul Giamatti. Philip Seymour Hoffman, Marisa Tomei, et al), and it's directed by Clooney, who may not hit a home run every time (Confessions of a Dangerous Mind, Leatherheads), but has come up with at least one sublime creation (the unfortunately punctuated Good Night, and Good Luck.).

Ten Quick Thoughts about...True Grit (2010)

1) I am certainly not a fan of the whole sequel/remake/reboot fascination that is running rampant through Hollywood in this foul era of our cinema (heard today they are remaking Total Recall), but this is one that I think was well worth the effort. Supposedly, the film is more loyal to the intent of the book than the 1969 version that starred John Wayne so it doesn’t really count as a remake; it is better termed a reinterpretation (I must be honest and say that I have not read the novel by Charles Portis, nor have I seen the entire film – saw enough to see that John Wayne was good fun, but probably not award-worthy, and that the girl playing Mattie Ross was kind of annoying and awkward). In any event, the new version is a strong story of retribution with the customary dark wit of the Coen Brothers.