Showing posts with label Lady Gaga. Show all posts
Showing posts with label Lady Gaga. Show all posts

Sunday, January 15, 2012

Looking Back at 2011: The Top 20 Albums of the Year (Part 1)

20. The Hunter - Mastodon
This one was part of a two-horse race to see which CD would finish off the list. It was either this or Mylo Xyloto by Coldplay. It was brute force vs. expert songcraft. It was beefy vocals vs. soaring falsettos. It was guitar blitzkrieg vs. swirling synth artistry. While it really was a tough call, I always believe that, in the end, you have to go with the album that rocks your face off. And with crushers like "Black Tongue," "Curl of the Burl," and "Stargasm," the fifth album by the Atlanta rock quartet does just that.

19. Born This Way - Lady Gaga
Did this album have its flaws? Absolutely. Tops upon the list would most likely be "You and I," a lousy wannabe country song that probably should have been dropped from the album after the musicians started playing the first notes in rehearsals. However, it is also filled with songs that seek to push pop music forward, often while reaching shamelessly back into the past. Examples include the Giorgio Moroder-cribbing "Marry the Night" and the title track, which of course bares more than a passing resemblance to a major song by one of the fashion icon's most obvious inspirations.

Tuesday, December 27, 2011

Time for a Random List: The Top Twenty Songs of 2011 (All Genres Included)

20. "Sister" - The Black Keys
19. "End of Time" - Beyonce
18. "Every Teardrop Is a Waterfall" - Coldplay
17. "Welcome to the Jungle" - Jay-Z and Kanye West
16. "Tomboy" - Panda Bear
15. "Into Your Alien Arms" - Clap Your Hands Say Yeah
14. "No Future Shock" - TV on the Radio
13. "Long Burn the Fire" - Beastie Boys
12. "The Words That Maketh Murder" - PJ Harvey
11. "New Lands" - Justice
10. "Jack Sparrow" - The Lonely Island featuring Michael Bolton
9. "Nuclear Seasons" - Charli XCX
8. "Super Bass" - Nicki Minaj
7. "Born This Way" - Lady Gaga
6. "Moves Like Jagger" - Maroon 5 featuring Christina Aguilera
5. "Crystalline" - Bjork
4. "Helplessness Blues" - Fleet Foxes
3. "Claudia Lewis" - M83
2. "Last Friday Night" - Katy Perry
1. "Bloom" - Radiohead

Honorable Mention: "Cruel" - St. Vincent; "Taken for a Fool" - The Strokes; "Do I Wait" - Ryan Adams; "Forget That You're Young" - The Raveonettes; "Holdin' on to Black Metal" - My Morning Jacket
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Monday, December 26, 2011

Time for a Random List: The Top Ten Pop Songs of 2011

10. "Hello" - Martin Solveig & Dragonette
9. "We Found Love" - Rihanna featuring Calvin Harris
8. "Yeah 3x" - Chris Brown
7. "Dynamite" - Taio Cruz
6. "Give Me Everything" - Pitbull featuring Ne-Yo, Afrojack, and Nayer
5. "Marry the Night" - Lady Gaga
4. "Moves Like Jagger" - Maroon 5 featuring Christina Aguilera
3. "Super Bass" - Nicki Minaj
2. "Party Rock Anthem" - LMFAO featuring Lauren Bennett and GoonRock
1. "Last Friday Night (T.G.I.F.)" - Katy Perry

Wednesday, December 21, 2011

The Ten Commandments of a Successful Office Holiday Party

Thou Shalt Not Complain about the Festivities – Your work used to take you out on the town for an expensive luncheon at a reputable Italian restaurant. There was a delicious spread and an open bar complete with hard liquor and several different sorts of beers. Now the affair has been downsized to a meeting room in your work’s office. The food is OK, but the drink choices consist of two different wines, an indistinctive red and a run-of-the-mill white, and two different beers that can only be described as “less than shite,” Miller Lite and Yuengling Lager. This is grounds for serious complaint, right? It’s indicative of your company’s lack of appreciation for your daily efforts, yeah? Wrong on both counts. There’s a recession on, man! Take what you are given and be glad your company pays you for checking out movie sites half the damn day.

Monday, June 27, 2011

Five Reviews of Five CDs in Five Sentences: Gaga, The Strokes, and More

Angles - The Strokes
The New York-based quintet is just four albums into their career and it is clear that they have no idea what sort of band they want to be. Frontman Julian Casablancas' love for electric sheen has seaped into the band's repertoire and they seem to have forgotten how to do what they do best: write memorable choruses and epic, dueling guitar lines. For every awesome track, like "Taken for a Fool," it seems like you get two uninspired ones, like "Call Me Back," a dirge-like piece of business with odd time shifts and horrific vocoder interludes (the world would be a better place if they never recorded a song like this again). Word is Casablancas couldn't even bother showing up for the recording of this album, choosing to record his vocals on a different coast than the band. If they can't come up with better than this next time, perhaps they should all stop showing up for work?