The third album by Beyonce Knowles, I Am...Sasha Fierce, was both a musical and an environmental disappointment. The world did not need her overly precious cover of "Ave Maria," nor did it need an 11-song album printed on two CDs just so an accomplished star could pretend to be her sassy alter ego. After the sensation that was Dangerously in Love and the underrated follow-up, B'Day, her fourth studio album, the unfortunately titled 4, found Jay-Z's main squeeze looking to prove that she did not lose ground to the Katy Perrys and the Lady Gagas of the world. Luckily, the former Destiny's Child songstress chose not to compete on their pop level and made an album that, despite having a few flaws, shows a mature artist who is still capable of churning out effortless body-movers.Beginning with the Princely, soulful, rock-tinged ballad, "1+1," the 12-song album (yes, more than Sasha Fierce yet contained on one disc) continues quite strongly for 10 tracks. Highlights include "I Care," a bass-heavy mid-tempo joint with Squarepusher-esque airy synth and a nasty guitar solo/Beyonce vocal run (a past weakness that she is admirably restrained with throughout the album), "End of Time," a Michael Jackson-influenced banger with effectively chaotic production by producers Diplo and Switch, and "Party," a Kanye West track whose off-kilter beats and funhouse keys were attractive enough to get Andre 3000 to climb out from whatever rock he has been living under (the erstwhile Outkast MC contributes a verse that will hopefully hold the world over until he decides to put something full-length on wax). The very 80s "Love on Top" also satisfies, with Knowles putting in some of her best vocal work. I even managed to get into the one that Babyface wrote, "Best Thing I Never Had." It had to be the incredibly massive chorus, because I have to tell you: I never thought I would be able to get down with a song with piano that sounds like it was played by John Tesh in his NBA theme song era.
