10. Biophilia - BjorkThere's a lot of white noise that surrounds an album release by Icelandic songstress Bjork these days. Coming along with this one was a different iPad app for every song. There was chatter about the different instruments she utilized for the making of the album, including a gamelaste, a pipe organ that was played through pushing buttons on the aforementioned iPad, and, oh yeah, a mutha flippin' Tesla coil. There were the concerts, in which she rocks a wig that looks like a massive twist of cotton candy and, to my eyes at least, struggles with the unpredictability of using a Tesla coil as one of the main instruments for several of your songs. Here is the thing though: if you listen to the album, none of this stuff matters. It's there in the dancing chimes and wailing drum-and-bass that is "Crystalline." It's there in the chaotically playful sound experiment, "Hollow," and the more delicate Vespertine throwback "Virus." It's there in the organ-and-percussion blast of rousing beatfest "Mutual Core." And always there is that voice, the one that in album closer "Solstice" is proven to be perhaps the least innovative instrument on the album, but also the most valuable.
Showing posts with label The Black Keys. Show all posts
Showing posts with label The Black Keys. Show all posts
Monday, January 16, 2012
Looking Back at 2011: The Top 20 Albums of the Year (Part 2)
10. Biophilia - BjorkThere's a lot of white noise that surrounds an album release by Icelandic songstress Bjork these days. Coming along with this one was a different iPad app for every song. There was chatter about the different instruments she utilized for the making of the album, including a gamelaste, a pipe organ that was played through pushing buttons on the aforementioned iPad, and, oh yeah, a mutha flippin' Tesla coil. There were the concerts, in which she rocks a wig that looks like a massive twist of cotton candy and, to my eyes at least, struggles with the unpredictability of using a Tesla coil as one of the main instruments for several of your songs. Here is the thing though: if you listen to the album, none of this stuff matters. It's there in the dancing chimes and wailing drum-and-bass that is "Crystalline." It's there in the chaotically playful sound experiment, "Hollow," and the more delicate Vespertine throwback "Virus." It's there in the organ-and-percussion blast of rousing beatfest "Mutual Core." And always there is that voice, the one that in album closer "Solstice" is proven to be perhaps the least innovative instrument on the album, but also the most valuable.
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